(Trumpet, 1929–88) Chet Baker was an icon of cool at the height of his fame in the 1950s. His recording of ‘My Funny Valentine’ with Gerry Mulligan in 1952 established him as a star of the emerging cool jazz genre; his boyish, film-star looks (later ravaged by drug abuse) and a light, seductively lyrical trumpet style assured his ...
As the first superstar instrumentalist to emerge from the modern Nashville recording scene, Chet Atkins (1924–2001) was a living legend for most of his life, but the Nashville-based guitarist was also a producer, engineer, label executive and A&R man without peer. Chester Burton ‘Chet’ Atkins was born on in June 1924 in Luttrell, Tennessee. He started ...
(Vocals, dancer, 1906–75) Born Freda Josephine McDonald, the St. Louis-born entertainer danced in the 1921 Sissle/Blake musical Shuffle Along before gaining a bigger role in their Chocolate Dandies in 1924, leading to appearances at the Cotton Club. The following year, she introduced ‘le jazz hot’ to Paris in La Revue Négre (also featuring Sidney Bechet) with ...
(Soprano saxophone, clarinet, 1897–1959) A child prodigy who left school at the age of 16 and worked with various bands around New Orleans, the Creole clarinetist thrilled audiences and players alike with his soaring tone, forceful attack, penetrating solos, dazzling facility and unusually fast vibrato. In 1917, Bechet and King Oliver played together briefly ...
(Guitar, b. 1925) McHouston Baker was born in Louisville, Kentucky. Originally a jazz player, he switched to blues after seeing guitarist Pee Wee Crayton. He began his recording career at Savoy in 1952 and became the first-call guitarist for R&B session work in New York. He teamed with vocalist Sylvia Vanderpool and, as Mickey & Sylvia, ...
(Fiddle, b. 1926) Bill Monroe often introduced Kenny Baker onstage as ‘the greatest fiddler in bluegrass music’. It was no exaggeration, for Baker, a third-generation fiddler from Kentucky, was capable of blistering breaks, elegant, long-bow phrases and swinging syncopation. He joined Monroe in 1956 and played with him off and on for more than 30 ...
One of modern country music’s most remarkable figures, Chester Burton Atkins born in Luttrell, Tennessee, rose from rural obscurity to become one of the world’s most celebrated guitarists and one of Nashville’s most influential record producers. Atkins’ musical vision did much to shape country music during the 1950s and 1960s. Early Years Atkins was born on 20 June ...
1671–1748, French Librettist Danchet was born on 7 September 1671 at Riom in Auvergne. His first theatrical text, Vénus (1698), was privately performed at Paris. This was also his first collaboration with composer André Campra (1660–1744). Between 1698 and 1735 Danchet and Campra produced several pastorals, ballets and opéra ballets, and 11 tragedies lyriques including Hésione (1700), ...
b. 1933, English Known for her rich, expressive and intensely personal performances, Baker’s voice is equally at home with Handel, Mozart, Donizetti, Berlioz and Walton. Britten wrote the role of Kate Julian for her in Owen Wingrave, while William Walton (1902–83) adjusted the part of Cressida in Troilus and Cressida to suit her voice. ...
b. 1933 English mezzo-soprano Baker studied in London, and made her debut in Smetana’s The Secret in Oxford in 1956. She sang Handel roles early in her career, and made a particular impression as Purcell’s Dido, a role she recorded several times. At Covent Garden, where she first appeared as Hermia in Britten’s A Midsummer Night’s Dream ...
(Guitar, producer, 1924–2001) Tennessee-born Chester Burton Atkins, whose father was a music teacher, was one of the most influential twentieth-century guitarists, and was initially influenced by the finger- and thumb-picking country-style playing of Merle Travis. Signed to RCA from 1947, he made scores of mainly instrumental albums, and in 1955 became the head of ...
(Vocals, b. 1929) Chicago-born Delores Williams sang in church choirs, but after bandleader Fletcher Henderson discovered her, she became the first black torch singer of the rock era, and in 1953, was one of the early artists signed to Atlantic Records. Many of her 20 US R&B hits were novelty items, including her 1957 No. ...
(Tenor saxophone, 1925–74) The son of pianist Albert Ammons, Gene was equally at home in jazz and R&B settings. He was a prolific recording artist and his hard-hitting, emotionally direct blowing in a blues and funk vein also featured in a popular two-tenor band, co-led by Sonny Stitt. His work in a soul-jazz idiom with organists such ...
Gerry Mulligan was the leading exponent of the baritone saxophone in jazz, and one of the key instigators of the style that came to be known as cool jazz. Along with trumpeter Chet Baker, Mulligan came to exemplify the cool ethos in the 1950s; he returned to the roots of that style with his Re-Birth Of The Cool (1992). ...
Considered one of modern jazz guitar’s ‘big three’ guitarists – along with Pat Metheny and Bill Frisell – John Scofield (b. 1951) is also one of the most versatile players of his generation. Conversant in fusion and hard bop as well as in the heady grooves of the jam-band scene, his stew of blues and jazz mixed with post-bop and ...
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David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.